MANI601. Research Project

Margaryta Sus, w1493893


Man with a Movie Camera:

  1. Ebert, Roger. Man with a Movie Camera, July 2009. –;
  1. Crow Jonathan. Man with a Movie Camera, Open Culture, February 2014. –;
  1. Hutchinson, Pamela. Silent London, Man with a movie camera: the greatest documentary of all time?, August 2014. –;
  1. Kraus, Denisa. Dziga Vertov, Man with a Movie Camera, October 2012. –;
  1. Nesbet Anne. Film Quarterly, Vol. 59, No. 1 (Fall 2005), p. 3;
  1. Nguyen M., Paul. Film Analysis: Man With the Movie Camera

Dziga Vertov, 1929, Scribd, October 2011.  –;

  1. Nicholson Ben. Five wonderful effects in Man with a Movie Camera… and how they’re still inspiring filmmakers today, BFI Film, July 2015. –;
  1. Petric Vlada. Dziga Vertov as Theorist, Cinema Journal

Vol. 18, No. 1 (Autumn, 1978), pp. 29-44;

  1. Romney, Jonathan. Man With a Movie Camera review – pure cinema, still unparalleled, The Guardian, August 2015. –;
  1. Stelzer, Jocelyn. Man with a Movie Camera (1929) Analysis, Sjfilmhistory, September 2012. –;

Critical Assignment n.2:

  1. Beauchamp R. (March 20, 2013). Designing Sound for Animation, 2nd Edition. Print ISBN-13: 978-0-240-82498-7. – Focal Press, 240 p.;
  2. Branigan, E. (1997). Film Theory and Philosophy. Allen R. and Smith M., eds. Oxford University Press;
  3. Branigan E. (Autumn, 1989). Sound and Epistemology in Film. The Journal of Aesthetics and Art Criticism. Vol. 47, No. 4, pp. 311-324. Wiley on behalf of The American Society for Aesthetics –;

4. Coyle R. (2010). Drawn To Sound: Animation Film Music and Sonicity. London: Equinox    Publishing LTD;

  1. Finan K. The History of Animation Sound. BOOM BOX POST –;
  2. Kerner, M. (1989). The art of the sound effects editor. Boston: Focal Press;
  3. Ludden, D. (July 31, 2015). Is music a universal language? Retrieved from https://www.;
  4. Moore S. (November 11, 2010). An Eyeful of Sound, funded by the Wellcome Trust –;
  5. Moritz, W. (Jan-Apr 1997). “History of Experimental Animation.” Website. Absolut Panushka, curated by Christine Panushka. Republished by The iotaCenter –;
  6. Rozenkrantz J. (May 6th, 2011).  Colourful Claims: towards a theory of animated documentary –;
  7. Vliet, van L. Sound Design in Animation

 Resources for research 

Animation specifically:




 Animation journal:

( To find the journal on Library Search students will need to search for “animation” and then refine results to journals.)

 Other film sources:


  1. Ward, Paul, Margins of Reality
  2. Nichols, Bill Modes of Documentary


  1. Buchan, Suzanne, Pervasive Animation
  2. Wells, Paul, Understanding Animation


  1. Murch, Walter, In the Blink of an Eye
  2. Valerie Orpen, Film Editing: The Art of the Expressive


  1. Branigan, Edward Sound and Epistemology in Film (Jstor)
Winter, Marian Hannah The Function of Music in Sound Film
  2. Weis, Elisabeth, Film Sound: Theory and Practice
  3. LoBrutto, Sound-On-Film: Interviews with Creators of Film Sound
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